1950-1960年代香港左派对新中国戏曲电影的推广=Hong Kong Leftist Promotion of PRC Opera Film,1950s-1960s /许国惠.
From 1953 to 1966,121 opera films,a huge number by any measure,were made in the People’s Republic of China(PRC).To disseminate their cultural and political messages,the PRC authorities wasted no time in exporting about half of them to the colonial Hong Kong.To attract moviegoers,a multitude of mate...
Lưu vào:
| Tác giả chính: | |
|---|---|
| Định dạng: | text |
| Ngôn ngữ: | chi |
| Chủ đề: | |
| Truy cập trực tuyến: | http://lib.hanu.vn/Opac/DmdInfo.aspx?dmd_id=40440 |
| Từ khóa: |
Thêm từ khóa bạn đọc
Không có từ khóa, Hãy là người đầu tiên gắn từ khóa cho biểu ghi này!
|
| Tóm tắt: | From 1953 to 1966,121 opera films,a huge number by any measure,were made in the People’s Republic of China(PRC).To disseminate their cultural and political messages,the PRC authorities wasted no time in exporting about half of them to the colonial Hong Kong.To attract moviegoers,a multitude of materials were created by the leftist film workers to promote the genre in the Colony.This paper scrutinizes how the leftists employed various strategies and tactics to sell opera films imported from the PRC in Hong Kong market and delivered various political and ideological messages in favor of the new state to the local population.By making use of those strategies,the newspaper aimed to wrap up two critical political goals:to gain the local people’ s recognition of the PRC as the legitimate successor of the historical China;and to distribute revolutionary ideas.Interestingly,on the one hand,Hong Kong leftist film workers hoped to achieve these goals by selling(making use of the popularity of) opera films.On the other hand,they expected that the people’s identification with these political goals,in turn,would help them better promote/popularize the genre in the Colony. |
|---|